In the poem 35/10 by Sharon Olds, the author shows the
relationship between a mother and a daughter unfold. The title seems to be
representative of the two characters ages, the mother being 35 and the daughter
being 10. The mother seems to be uncomfortable with the way she is aging and
refers to her body as sagging and drying in areas. Although she does this with
her body, she refers to her hair as “gleaming” a word with both a positive
connotation and denotation. Even though the gleaming hair is grey and may stand
out, it seems she believes they do in a good way. Like all things, there are
two sides to aging. I believe the author separates the hair and the body to
show the two sides of aging. While on one side, she sees her aging as maybe a
maturation and an “older and wiser” type deal, she also is feeling the
negatives of a changing body. While the speakers body is changing, so is that
of her daughters. Her daughter is coming closer to puberty while the mother is
coming closer to menopause. The speaker compares the daughter to a “moist
precise flower” and refers to herself as a pit. The speaker also oddly uses the
menstrual cycle to represent life. As the mother ages and has fewer
opportunities to bear children, the daughter is just beginning to develop them.
These opportunities to bear children could possibly be a reference to
opportunities in life, rather than just bearing children. Although menopause is
supposedly a very emotional experience, I don’t believe this is what the author
or any women would miss the most about being young and youthful. The author
also gives a very different perspective on life and family by viewing her
daughter as her replacement. Personally, I had never viewed myself as my
mothers replacement on the earth, but after reading the poem it is easy to see
this perspective. It was hard to tell if she meant “replacement” in a negative
or positive light. Although a replacement can be some one that steals the
spotlight, it can also be some one that carries on your family history and
values.
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